Artist-in-Residence: Wildacres

I've been away from the studio for the past week for a good reason. I had the privilege of being one of the artists-in-residence at Wildacres Retreat in Little Switzerland, NC and I enjoyed every minute of my time away. Here's a look at what I did, where I went, and of course, what I made. 

Unlike with past residencies, I had a project plan this time, and it helped me get into the swing of things right away. I knew in advance there were certain trails I wanted to hike, views I wanted to seek out, and even a few specific pieces I wanted to make. However, I was unprepared for the inspiration that found me during my week of exploration and reflection. Even though I created 25 pieces in 6 days, I ran out of time for all of the ideas that flooded my mind. It was exactly what I needed, I’d been feeling very stuck with my work lately, like I’m making the same things over and over (because that’s what sells, not because that’s what I want to make). This time alone, in a new surrounding, opened up my eyes.

I truly enjoyed staying in the remote cabin, surrounded by mountain laurel and pine trees (and deafening cicadas at night!). No AC, no TV, not much internet connection, and I even used a pot holder to block the clock on the stove all week, because I didn’t want to know what time of day it was. I ate when I was hungry, slept when I was tired, hiked all morning, created all afternoon, and went joy riding every evening. Time flew by, but it also stood still.

Wildacres Retreat is a magical place, if you ever have the opportunity to visit (either with a group to the conference center or on your own as an artist-in-residence). The location is off the Blueridge Parkway in Little Switzerland, NC and it’s hidden in the woods, with a beautiful mountain view and a friendly atmosphere that encourages creativity and the betterment of humanity.

In addition to thoroughly exploring the Wildacres property, which boasts miles and miles of trails, I also ventured out each day in a different direction to see what I could see. I checked out nearby towns including Spruce Pine, Little Switzerland, Marion, Old Fort, and Chimney Rock. I hiked multiple trails each day (outside of the Wildacres property) and those took me to mountain tops, dense forests, and waterfalls. Some of my favorite spots include the top of Hawksbill Mountain (pictured above) where I was completely alone at the top of the world, letting the wind whirl around me. I loved my hike to Yellow Fork Falls (pictured below), racing the radar one morning, where I not only got there in record time because I was moving so darn fast to beat the rain, I also managed to not get my Mini Cooper stuck on what was very much an off-roading experience that in hindsight was probably a bad idea. We made it out alive!

Other favorite moments:

  • Driving all the way to the top of Mount Mitchell, the highest peak east of the Mississippi, only to be surrounded by dense fog (or were they clouds?) and not minding one bit. I’m sure the view is great on a clear day, but I loved that somber moody feel and plan to felt a piece inspired by what I saw / what I didn’t see.

  • Getting rained in one afternoon. The remnants of Storm Debby made their way to the North Carolina Highlands midweek and pounded the cabin roof for hours. I loved it. It gave me an excuse to take a break from hiking, take a nap, and do a little painting, something I never seem to make time for.

  • Cruising the ever-curving Blueridge Parkway and happily breaking for more fully grown bucks than I’ve ever seen in my life alive, not mounted on a wall, and at least 30 wild turkeys, including a swarm of baby “turklets,” as I like to call them. Everybody saw bears except me.

  • Having the last dinner on campus with the other two artist-in-residence Emma van Halsema, a talented plein air painter who works in animation, and Kathy Schwille, author of What Luck, This Life. We shared a bottle of wine, we shared about how impactful the week had been, and it was just wonderful connecting with these two women, even though we had mostly spent the week in solitude.

  • Watching the sun set every night from a different overlook on the parkway. The sky never looks the same. The mountains never look the same.


Artist residencies have become a big part of my life. To date I’ve been honored to do 8 residencies, and each time, that gift of space to explore and create changes me. Sometimes it’s a mental change - I learn to relax, I dream again, I get inspired. Sometimes it’s a skill change - I get really good at felting gradients, or I attempt to paint something way more detailed that I would normally attempt. And sometimes it’s a physical change - I take on a hike that’s probably beyond my abilities, but I enjoy it, even the soreness the next day, because I earned it. I never know what’s in store as artist-in-residence, or who I’ll meet, but I arrive with an open mind, a need for time away from my design job, my commission list, my never-ending to-do’s around the house. I’m so grateful to Wildacres Retreat for this gift of time and space. I will never forget the experience.

I hope you will enjoy this video recap of my week in the woods, and enjoy browsing the full Blueridge collection on my website.


Snowscapes

Inspired by snowy scenes once again this winter, this small series of needle felted landscapes was a joy to make, even though we have yet to see our first snowflakes here in South Carolina. When (if) we do, believe me, it’ll be a disaster!

The new series of snowscapes ranges from 3x3 to 8x8, so they’re the perfect small size to squeeze into your gallery wall. Or, if you change your artwork out seasonally, they make a great addition for the winter months. From white pastures to icy rivers and snow covered trees, this limited series is made with dyed wool fiber was created with a longing for a cozy snow day here in the south.

Shop the collection on the website and use coupon code SNOWDAY for 10% off now through the end of February.

Tufted landscapes (and the struggle behind them)

It's been well over 6 months since I picked up my tufting guns, but I'm so glad I did this summer. While this particular fiber art medium is still very new to me, I'm starting to get the hang of it and slowly developing my own style. 3 sets of tufted diptychs are ready to ship & hang in your home, and here's a time-lapse video showing a peek at the process. 

While learning to work in any new medium or figure out the nuances of using a new tool can take time (and lot of trial and error), it’s what keeps me going. I need to learn new things, always. Tufting seemed like the next logical step for me once I started expanding on my needle felting work and doing mixed media fiber art a few years back, but tufting has been a rocky road so far. I love that I can work larger and faster, but I am having a hard time accepting that the detail level that I’m able to achieve with punch needle, needle felting, and rug hooking, is just not going to be possible with a tufting gun (or at least not at my current skill level). I had to rethink my ideas and adjust accordingly.

Some of my other struggles when it comes to tufting are purely comfort-related. It’s a very physical art form - you are on your feet for hours and hours, the tufting guns are heavy and they take a toll on hands and wrists in a way hand-work doesn’t seem to effect me. Plus, it’s loud and messy, and I like to keep my studio neat, even though the whole point of a studio is to have a workspace where it’s totally acceptable to have a mess. It seems silly that these drawbacks are part of what’s kept me from tufting for half a year, but I’m just being honest.

I was considering selling my tufting guns and frame, I hadn’t used them in months, they were new and in good condition (and too expensive to just sit here and not be used). I wasn’t looking forward to setting up the frame and having whatever project take over my studio for days on end. Although I may eventually eliminate tufting from my studio I needed to give it another chance, a REAL chance, a chance to be it’s own thing and lead the way to a new style, a chance to change my expectations. It can’t do what I want it to do but it can do a lot of other very cool things. I need to embrace those things.

All 3 of these diptychs have a completely different style, though the subject matter is very similar. One is focused on two-tone gradients, one it’s very abstract and blocky, and the last has a bit of a stained glass or paint-by-number feel. I like all of them for different reasons, and it’s enough to push me to keep trying and keep tufting. I hope to add more tufted pieces to the website later this summer, but for now shop the small collection online.

Flat Out Under Pressure 24-Hour Art-Making Competition 2023

I participated in the Flat Out Under Pressure 24-Hour art-making competition this year in Greenville, SC and it was so much fun (a LOT of work, but worth it!). My mixed media fiber art piece included punch needled yarn, rug hooked fabric strips, and needle felted wool fiber. I’ve participate for several years in a row but this is by far the largest piece I’ve attempted for this competition (and I was really pushing my luck to finish on time).

The piece is about 20" in diameter, featuring a scene inspired by Lake Jocassee, here in the upstate of South Carolina. The finish piece, along with all of the incredible work made by 100+ other local artists is now on display at Metropolitan Arts Council in downtown Greenville, SC and will eventually be available on my website.

Hope you enjoy the process video!

Artist-In-Residence: Dreher Island State Park

My 5th Artist-in-Residence opportunity with South Carolina State Parks brought me to Dreher Island State Park this October, just outside of Columbia, SC. I spent the week hiking, exploring, observing, and creating art. The spacious lake-side villa gave me an opportunity to watch the sunset every single day of my stay and also a peaceful place to create fiber art & paintings surrounded by nature.

I only left the park for a few hours one day to hike the Firebreak Trail in Harbison State Forrest, but other than that, all of my hikes and explorations were inside the park. There’s enough trails and flat walkable roads that you can see almost all of the park on foot, if you like. It’s a large park but most of it is lake, so although I didn’t have a boat, I can see why so many people visit just for the fishing. The park is on a series of islands in Lake Murray and so there’s an enormous amount of shoreline, countless coves and plenty of peninsulas.

During my time at Dreher Island I created eleven needle felted landscapes, one mixed media fiber art landscape, two small paintings, and two series of painted pendants, all inspired by the natural beauty around the lake and forest. I loved the way the color of the lake depended on the sky, and one of my favorite color observations was the shock of orange at the shore where the water meets the red clay.

A huge thank you to South Carolina State Parks for selecting me for this program - it’s an honor! And thank you to Dreher Island State Park for hosting me for the week - I really enjoyed it! South Carolina really is a beautiful state and we are lucky to have so many parks to visit. I can easily find inspiration in all of them!

I hope you enjoy this short recap video of my week and all pieces are now available at www.onceagainsam.com