Once Again Sam Turns 14!

My small business turns 14 years old this weekend. 

I was having a hard time wanting to celebrate because last year was a really tough one. I know each year can’t be the “best ever” but 2022 was the first time in 14 years it was noticeably quiet and things seemed to fall short or fall through altogether. My best guess for the cause was recession-related and algorithm changes, but who knows. Then I started thinking about recessions - this business was actually born DURING a recession, when I was was dealing with a pay cut, just like everyone else I worked with, if we were lucky to keep our jobs at all. It was a tough time economically for all of us, but with a $25 a month crafting budget, and a table (not a room, not a studio, just a table!) I started Once Again Sam in January of 2009 as a creative outlet and to see if I could make some extra money to buy shoes & yarn. That’s all I was after. Big dreams, right? 

Within a year, it became a profitable side hobby. In 3-4 years, I earned as much making things as I did working full time, and at year 5, I flip flopped my hobby with my career and went full time with Once Again Sam and part time with interior design and have been doing that ever since. Between the two “jobs” I work a lot of hours each week, but I truly enjoy what I do and feel blessed to be in this situation where I can pursue both dream jobs. 

So 2022 was a tough year, but if I look back at how far this little business has come, I can’t be too down about it. I’m extremely lucky to be able to do this for a living, I enjoy every minute of it (that’s not 100% true - I really hate load-in / load-out for craft shows) and I’m thankful for each and every one of you for being here and for your support over the years, however many years, months, weeks, or days you’ve been following along here. I appreciate you more than you know. THANK YOU! 

Please treat yourself to 20% off anything on my website this weekend with coupon code OAS14.

Artist-In-Residence: Dreher Island State Park

My 5th Artist-in-Residence opportunity with South Carolina State Parks brought me to Dreher Island State Park this October, just outside of Columbia, SC. I spent the week hiking, exploring, observing, and creating art. The spacious lake-side villa gave me an opportunity to watch the sunset every single day of my stay and also a peaceful place to create fiber art & paintings surrounded by nature.

I only left the park for a few hours one day to hike the Firebreak Trail in Harbison State Forrest, but other than that, all of my hikes and explorations were inside the park. There’s enough trails and flat walkable roads that you can see almost all of the park on foot, if you like. It’s a large park but most of it is lake, so although I didn’t have a boat, I can see why so many people visit just for the fishing. The park is on a series of islands in Lake Murray and so there’s an enormous amount of shoreline, countless coves and plenty of peninsulas.

During my time at Dreher Island I created eleven needle felted landscapes, one mixed media fiber art landscape, two small paintings, and two series of painted pendants, all inspired by the natural beauty around the lake and forest. I loved the way the color of the lake depended on the sky, and one of my favorite color observations was the shock of orange at the shore where the water meets the red clay.

A huge thank you to South Carolina State Parks for selecting me for this program - it’s an honor! And thank you to Dreher Island State Park for hosting me for the week - I really enjoyed it! South Carolina really is a beautiful state and we are lucky to have so many parks to visit. I can easily find inspiration in all of them!

I hope you enjoy this short recap video of my week and all pieces are now available at www.onceagainsam.com

Carolina Color Study Exhibition

My very first solo exhibition opens August 8th at Limestone University in Gaffney, SC and I couldn’t be more excited about the collection. The exhibition has been in the works since the fall, but the concept has been in my head for much longer. I’m thrilled to share a sneak peek with you and a little info about the collection!

Every place in this world has a specific color palette. Its unique to the region, created by the wildlife & plants that live there, the water that passes through it, and the makeup of the earth itself. As an aspiring naturalist and lover of the outdoors, I’ve always sought inspiration in my environment, but ever since relocating to South Carolina in 2010, I’ve begun to study it much more closely, through the lens of an artist but also an interior designer.

My background is in the field of commercial interior design, which I pursue in conjunction with my art career, and I’m constantly surrounded by samples and color swatches. These colors and textures give me such joy, whether I’m pulling finishes for a client or creating a mixed media fiber art piece in my studio. The Carolina Color Study Collection is the culmination of my favorite regional landscape views, topography, tonal gradients, and swatches of our regional color palette here in the Carolinas, all created through a mixed media fiber art process that includes needle felted wool fiber, punch needle yarn, and rug hooked fabric strips. 

This opportunity is made possible through the Individual Artist Career Opportunity Grant, a program of South Arts. A HUGE thank you to South Arts for helping with funding the materials & framing needed to create this collection! Checkout this feature on the Your Carolina morning show from August 17th.

I hope you can see the exhibition in person now through September 21st or attend the Artist Talk & opening reception on September 16th, but if you’re not able to make it, the entire series is available for purchase through my website. Pieces will ship AFTER the exhibition closes. If you’re local and prefer to pick up in person, just let me know and I’ll refund your shipping.


Flat Out Under Pressure Art Competition 2022

Every year in Greenville, SC the Metropolitan Arts Council (MAC) hosts an event that brings all the local artists out of the woodwork within this community. 150 artists competed this year, some professional some amateur, all very talented. Between 9 and 11 am on Friday, all artists must get their worksurfaces stamped (you can do up to 5 surfaces but in the end only one piece can be submitted), then you have 24 hours to create a piece of art.

The following morning we all bring our pieces back to MAC in downtown Greenville, and their doors close for most of the day while they install all of the finished pieces inside the gallery for judging. That evening, the party and awards ceremony takes place, and it’s always so impressive to see what others created during the same time period.

This year my piece was a 20x20 mixed media fiber art landscape featuring a farm at dusk and I used needle felted wool roving, punch needled yarn, and rug hooked fabric strips. A piece this size normally takes 3-4 days, but I was able to get it done on time (though it was an extremely full day and yes, my wrists still hurt)!

Hope you enjoy the process video from my 2022 piece, and if you missed my post from 2020, here’s a look back at a past submission to the competition: http://www.sarahmandell.com/blog/flat-out-under-pressure-competition

In Love with a Palette Knife

Have you ever felt like you need to loosen up? I’ve been chasing precision with my recent needle felted and mixed media landscapes, and felt like it was time to shake things out a bit. I switched gears for a few glorious weeks and had a love affair with my neglected palette knife. I don’t know that I’ve ever actually tried to move paint around this way before but man, it’s so satisfying!

First, I played around with some abstracted landscapes, mostly minis, just to see what I could come up with and how it felt to not have full control over what the paint was doing on my panels. Keeping the subject matter safe, I did some mountains, fields, and lake scenes and called it a day. It was fun, but it wasn’t quite scratching the itch.

Next I moved onto jewelry, revisiting my Studio Graffiti Collection which in the past has always been on clear acrylic, which I paint with random brush strokes from the backside. Changing things up, I used the palette knife and some heavy matte medium to thicken up my paint, and went to town scraping and sliding pigment all over my thin boards. Pleased with the first few test pieces, I got a little carried away and turn this experiment into a whole series, and I don’t regret a thing!

Enjoy the new mini paintings and on-of-a-kind jewelry just added to the website. All pieces are painted with my trust palette knife, with acrylic paint on wood, and are one-of-a-kinds.