Art in the Wild Exhibition

Photo curtesy of Eli Warren

I’m still bursting at the seams with inspiration, thanks to my time as Artist in Residence at Poinsett State Park. In case you missed it, I spent a week in a cabin in the woods, creating a collection of work related to my beautiful surroundings. Next week, that collection of work will be exhibited at Art & Light Gallery in Greenville, SC.

40 wool paintings are included in my “Art in the Wild” show, and they range from landscapes to birds, to other nature studies. The show runs June 14-16 and if you’re not in Greenville, the gallery will be happy to ship. Once the show is over, the work will be available on my website.

Here’s an exclusive peek at the collection. Which is your favorite piece? Please comment!

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Now that’ you’ve seen these, are you interested in learning to needle felt? It’s so much fun! I’m teaching a class this Saturday (June 9th) and another one June 30th at GCCA in Greenville.

Signup here for workshops: https://www.artcentergreenville.org/summer-workshop-descriptions

Photo curtesy of Eli Warren

During my residency at Poinsett, I also created a new landscape pendant series called “Mill Pond” and I’m doing a double giveaway on Instagram this week. Check it out and win a pendant for yourself and a friend.

Artist in Residence: Poinsett State Park

Earlier this month, I was honored to have the chance to be the Artist in Residence at Poinsett State Park. I spent a week in the woods, soaking up inspiration and creating art inspired by it. This was my first time doing anything like this and it was such a good experience.

I stayed in Cabin #2, which was built in 1937 and had been updated with modern conveniences, but still felt rustic. Each morning I’d wake up to the sound of birds, eat breakfast on the sun porch, and hit the trails for a few hours.

There’s miles and miles of trails in the park, and my favorite ones were the Cowasee, Scout Loop, and of course the trail alongside Mill Pond, which is just about as scenic as it gets. I'm not originally from the south so the sight of Spanish moss is still a bit surreal to me. It looks like a movie set!

After a few hours in the woods, I’d come back to the cabin and spend the hottest hours of the day painting, needle felting, and sketching. There was no shortage of inspiration in the park. Ideas would come to me while sitting by the fire pit after sunset or canoeing through the lily pads listening to choir of frogs on the shore.

I definitely lost track of time, and had no idea what day it was for most of the week. I can’t tell you the last time I disconnected like that, and really focused on my work without any interruption. It was so good for my soul!

I created nearly 20 pieces during my residency and have another 20 in the works that will be ready for my upcoming exhibit “Art in the Wild” which runs June 14-16th at Art & Light Gallery in Greenville, SC.

A big thank you to the South Carolina Parks Department for this amazing opportunity! If you’re interested in applying for next year, check the SC Parks website in the fall for more info: https://southcarolinaparks.com/

Check out this short video documentary that shows my week as Artist in Residence in a nutshell. Hard to believe 6 nights, several miles of hiking, hours of working, and a lot of fun in between, can be condensed into 3 1/2 minutes, but here it is! 

It was such a privilege to be the artist in residence at Poinsett State Park last week. I spent 6 days soaking up inspiration and creating work inspired by my beautiful surroundings. This quick video shows some of my favorite places in the park and works in progress (mostly needle felted fiber art).

Spring 2018 Launches

During the winter months of 2018, I often found myself playing with paint in the studio. I made time to practice each week, invested in new brushes, and even took an intro to alcohol inks class at Greenville Center for Creative Arts in March. I’ve been inspired by the medium! The textural and graphic possibilities of paint have greatly influenced my new jewelry collections this spring. I’m excited to finally share these new additions to my Etsy shop with you. Each piece is an original one-of-a-kind, but thanks to the simple settings and delicate scale, they’re easy to incorporate into your everyday-style.

See the process in my new Maker's Eye View video on YouTube!

Alcohol Ink Collection: drips and splatters showcasing beautiful unpredictable patterns in colorful dyes, frozen in time on clear acrylic.

Mixed Media Collection: clear acrylic layered with crumbled gold leaf, pale pink paint with stark black accents, framed in a variety of simple metal bezels and laser etched wooden settings.

Commissioning Artwork FAQ

Commissioning a piece of original art may be intimidating if you've never done it before. There’s so many unknowns. Will it look like what you envisioned? How much will it cost? How long does it take? Is the artist you have in mind currently taking on custom requests?

I wouldn’t want any of my customers to feel this way or to rule out custom orders because they’re unsure about the process. Commissioning art can be an enjoyable experience so I thought I’d share how I personally handle commissions and answer some FAQ. A huge part of my handmade business is custom work, so I welcome special requests!

Q: I’m interested in commissioning a wool landscape painting. What do I need to do?

A: Send me a message via Facebook, Instagram, Etsy, or contact form to get the conversation started. If you have a photo you’d like me to use as a reference for the piece, please include that. We'll work out the size, frame choice, deadline, and go from there. Pricing depends on size and complexity of the piece, but a good ballpark budget number for custom felted landscapes is $2 per square inch. For example, an 8x10 scene would typically run $160, which includes the frame.

Q: I saw something in your Etsy shop or Instagram that I liked, but I want it in another color (or a slightly different design, size, etc.).

A: No problem! Nearly all of my jewelry can be customized, and often times the fiber art can be recreated or tweaked to be a specific size, alternate color range, etc.

Q: Do I pay before or after the work is done?

A: 99% of the time I’ll request payment upfront. This goes for jewelry, fiber art, or any other custom orders. Once I’ve received payment, your order will be added to my list and I complete them in order of payment received (unless there’s a specific deadline previously discussed).

Q: Does a custom order cost more?

A: Not necessarily! The price is usually the same, but it may take a few days longer to create, depending on the request and if I need to special order materials.

Q: Do you offer proofs or photos prior to shipping a custom order?

A: I typically don’t do this for custom jewelry, ornaments, or smaller items. However, for the custom wool landscapes, I’m happy to to show you progress pictures upon request.

Q: Do you offer discounts on bulk orders? 

A: When it comes to jewelry, yes, I'm happy to work with you on the total price if you're ordering 10 or more pieces. When it comes to the fiber art, the price is firm. Needle felting is a very tedious process and this is the reason my fiber art work never goes on sale online or at events.

 Q: The piece I wanted to buy has already sold. Can you make another?

A: Probably so! I don't mind recreating pieces (although they'll always be slightly different than the original because they're handmade). If you see something that's sold, get in touch and I'll let you know if I can recreate something similar. 

A quick run down of do’s and don’t when commissioning art:

DON’T commission artists to knock off other artist’s work. It’s not cool, and it’s no fair.

DO ask artists for references or examples of past work if you’re unsure if they’re the right person for the job.

DON’T expect the artist to deliver the finished piece in person, even if they’re local.   

DO ask for progress images if you’re particular about the composition, materials, etc.

DON’T be afraid to be specific if you have a certain size, look, or deadline in mind. Share that with the artist from the start so they can accommodate your wishes.

DO allow the artist to do what they do best and embrace their process. The finished piece will surely look different than what you had in your mind, but hopefully it’ll be even better than what you imagined.

Where Women Create

This month, I’m honored to share my personal story and creative workspace in the summer issue of Where Women Create. This magazine showcases artists, crafters, and makers in a way that allows you a personal look at their space, but also shares their creative journey. I really enjoyed reflecting on how I got to this point in my life and all the things that added up to make it what it is today. I feel like I’m just getting started - there’s so much more I want to do!

Checkout the full story below see additional photos that weren’t used in the article. All photos courtesy of the talented Eli Warren.

I was born to create. My love of art and working with my hands started early in life, so early I don’t remember when exactly. I can recall peeling my sleeping mother’s eyes open before sunrise and begging her to come downstairs and draw with me when I was about four years old, and she, in all her love and patience, would do just that. I think that’s where my story begins, with creative and supportive parents.

Growing up, I couldn’t get enough art in my life, so my parents took me to museums often and signed me up for additional art classes after school, encouraging me to pursue it. My mom was a self-taught artist, and although she did it purely for her own enjoyment and to decorate our home, there was never any question that I could do it as a serious career if I wanted to, and I’m so grateful for that freedom. As long as there was art & design in my future in some shape or form, I knew I’d be happy.

After 4 years of intense design study & a wide range of fine art studio courses, I received my BFA from Maryland Institute College of Art in 2005. Shortly after graduating I got married, lost my mom to cancer, and began working as an interior designer for a commercial architecture firm. My whole world changed in just two short months, and for the first time in my life, I wasn’t creating with my hands. I never realized how important that part of me was until it went missing.

Knowing me all too well, my husband Josh encouraged me to open an Etsy shop and get back to making. That little decision changed everything. Not only did I get back to my roots as an artist and rediscover the joy of creating, I was now on a double career path as an interior designer and an entrepreneur, and these creative pursuits complimented each other in unexpected ways.

Working as as an interior designer, I had access to all kinds of outdated material samples like leather upholstery swatches and wood veneer. I took those miscellaneous odds and ends that were bound for the trash and gave them new life, once again, in a whole new way. My business name, “Once Again Sam”, hinted at my love of reusing materials, and although “SAM” wasn’t me exactly (those are my initials but nobody calls me that), it was someone I wanted to become. I wanted to start a new creative life, and not have to choose to do just one thing or have a single career. The freedom to pursue art, the encouragement I had growing up as well as from my husband, inspired me to go for it. ALL of it.

I chose not to choose a single path. I’m currently an interior designer, a fiber artist, jewelry designer & maker, entrepreneur, and published author. That list will probably grow with time. It’s not that I don’t know what I want to do when I grow up, it’s that I want to do so many things. My greatest joy is creating and imagining, and it doesn’t matter if it’s a beautiful space for a client, an intricate design for a leather cuff bracelet, a life-like plant made out of wool fiber, or a fictional story about a soap-eating giraffe. I live to create. Any medium will do.

The majority of my time is spent working from my home studio running Once Again Sam, which has grown into a thriving small business that takes me to the post office 5 days a week and all over the southeast for craft show events. My husband Josh, who is responsible for putting the crazy idea into my head that I could actually start a small company, is my my business partner.

A good portion of our home is dedicated for Once Again Sam workspace. The dining room isn’t used to entertain anymore, it stores inventory and displays for craft shows. My husband and I share an office, where we do accounting, photo editing, etc. Upstairs is my studio, where I do final assembly, product photography, store materials, and ship orders. The basement is our workshop wonderland. Josh and I both enjoy working with wood, so we’ve got all our loud messy tools and machines down there, including my favorite tool, the 90 watt laser cutter.

Just as my days are a combination of many things, the same can be said of my handmade jewelry collection. My work marries basic hand tools with high tech equipment, and common materials are often mixed with the exotic. I still use a lot of recycled leather material in my jewelry designs, just like I did when I first opened my Etsy shop in 2009. Sometimes I do the cutouts by hand, other times I leave it to the laser cutter.

I enjoy learning new skills and have a long list of things to try. My husband and I took a wood turning class together a few years ago and have enjoyed getting into wood turning. I’m finally getting the hang of sculpting modern pendants on the lathe. I’ve also taken up painting recently, and my series of landscape pendants feature a panoramic painting that’s cut up into sections so the owner may wear an original piece of art any day of the week. A huge portion of my business revolves around custom jewelry. Customers can order a pendant featuring a portrait of their child, favorite animal, or home state, etched into painted wood. With a wide range of handmade options, there’s truly something for everyone at Once Again Sam.  

My creative journey is just getting started. I never could have guessed I’d be where I am now, and can’t wait to see where my creative careers take me in the future. Starting something can be the hardest part.