Architecture Meets Jewelry

Architecture and jewelry have a lot in common: form & function, balance, personal connection, and materiality, just to name a few. It’s no surprise the A & D industry has contributed to the jewelry world, and vice versa. Recently, I was commissioned to make a small contribution of my own, and the experience was the ultimate collision of my career and small business.

My background is in commercial interior design. When I’m not running my handmade jewelry business Once Again Sam, I’m working as an interior designer part time for LS3P, a major architecture firm in the Southeast. I’m part of the Worship Studio, which consists of a dedicated group that helps design traditional and contemporary churches all over the country. Interior Design and Jewelry Design influence each other in ways I never imagined. I have designed floor tile patterns that became leather cutout cuffs, and I have chosen wood veneer for pendants that ended up appearing on feature walls. Design is design, oftentimes applicable beyond it’s intended application.

Women in Architecture of the Upstate recently commissioned me to create a special gift for their upcoming event, to be given to the speaker, Kate Schwennsen. Each year, they feature a different artist, and have commissioned a variety of work that ranges from painting, to film, and fine jewelry. I was glad for the opportunity, and a little curious how the design committee process might go.

Working as an interior designer means I regularly meet with committees to present concepts and material finishes, and share sketches of potential designs. I’m used to feedback, managing a range of different opinions, and communicating ideas with clients. However, working as an independant jewelry designer and small business owner, I’m used to working alone, having almost no feedback, developing ideas from start to finish with zero outside influence. Designing jewelry with a committee was an entirely new opportunity, a combination of my two skill sets, and the experience ended up being incredibly enjoyable thanks to the wonderful ideas and productive interaction with the WIA group. I’m also thrilled with how the final gift turned out and hope the recipient is too!

This is the final gift set - it includes a mahogany jewelry box with a laser engraved top, and matching leather lining. Inside is an orange laser cut leather bracelet, a pair of bocote stud earrings with orange leather insets, plus a geometric bocote pendant with brass tube detail (the orange is a nod to Clemson’s colors, because Professor Schwennsen is director of The School of Architecture at Clemson University).

So how did we end up here? Where did this design come from? The process went something like this:

The committee shared what they knew about the speaker, her style, what kind of jewelry they thought she’d enjoy. We also wanted to portray an abstract storyline about the “bridge” between an education in architecture and career to inspire the geometry and connections within the jewelry itself.

• We looked at examples of jewelry I had made in the past, so that the group would better understand the kind work I’m able to create, plus we reviewed color and material options available.

• I developed 4 concept sketches showing different wooden pendant ideas, which was our primary piece. Some ideas were similar to pieces currently in my jewelry line, others were 100% new.

• The group provided feedback on the sketches, asked questions, brought up some excellent points, and I made a few templates and prototypes before getting final approval to proceed with an option.

• I began making the final pieces based on a majority vote in favor of option #1 (and had some help from my handy husband making the box to contain the set).

The final gift set was presented at the AIA / WIA meeting on October 20th, following Kate’s talk titled “We’ve Done More than Stir: Celebrating Women Leaders, Creating Cultural Change”. It was easy to see why she’s one of the most admired educators in the USA, and I was really inspired by her message. Women have been making headway in the field of Architecture, which is exciting, but there’s still a long way to go!

American Made Finalist

I was finishing up lunch with my husband at our favorite Indian buffet when I got the email informing me I was a finalist for the 2015 Martha Stewart American Made Awards. I read the email several times through before the words truly sunk in. Once they did, I got lightheaded and my hands started to shake. I never expected my delicious chicken makhani to come with a side of such incredible news.

Thousands of talented makers are in the pool of nominees each year, and just small percentage make it this far. The program puts the spotlight on emerging makers, those who have dedicated their lives to their craft, and are striving to succeed as creative entrepreneurs. It’s a huge honor to be a finalist in the Style / Jewlery category this year, regardless of what happens next. Being recognized in a national competition of this caliber is a pretty big deal for a little business like mine. These things don’t happen everyday!

Because of my big big news, I was lucky enough to be featured on Studio 62 with Jamarcus Gaston recently, and share about my media experience in a blog feature with the ever-so-informative Academy of Handmade. I was also able to share my story on local talk show Your Carolina. 

Martha Stewart and her panel of 16 judges have gotten me this far, but the rest is entirely up to voters like you. Would you please take a moment to send some votes my way? We set up an easy-to-remember sub domain that takes you directly to my nomination: www.vote.onceagainsam.com and once you create a login on the Martha Stewart American Made page, you’ll be able to vote up to 6 times per day until October 19th. Winning something like this would change my business forever, in so many fantastic ways.

Thanks a million!

Indie Craft Parade 2015

The 6th annual Indie Craft Parade was this past weekend, and as always, it didn't disappoint. Far from it! This highly competitive, well-organized regional craft fair showcases 80 artists and brings out 6-7,000 attendees in Greenville every September. I was pleased to participate once again this year, and just as in years past, it was one of my best shows ever. How does that keep happening? This particular craft show is just THAT good!

I saw so many familiar faces, people who have been coming to my booth year after year. I always enjoy seeing "vintage" Once Again Sam jewelry in the crowd, pieces I made several years ago, still being enjoyed. That's probably the coolest part of the weekend - having happy customers come back again and again.

This is a big weekend for my business, so I spend a good chunk of the summer preparing for it. I'm proud to say, this was the first Indie Craft Parade when I didn't run out of bags or dollar bills. In previous years, I vastly underestimated how many shoppers would come through, so I'd double up on supplies the following year, and of course the number of customer would double up too, so I still had the same problem. Not this year! I took $150 in singles, and over 500  paper bags (which I hand stamped one by one) and it seems I finally have a feel for just how to prepare for this show. It only took me 5 years to get it right! 

Here's the rundown of my weekend in numbers, just as I shared last year, plus a peek inside my shopping bag at my fabulous finds. I always enjoy supporting other artists, and at a show like this one, you truly have to restrain yourself! There is so much talent, so many gift ideas, so many splurges to consider. In the end, I brought home items from 12 other artists. 

My 2015 Indie Craft Parade purchases will full artist list below:

1. Origami flowers by Paperform

2. Mixed media block art by Heather Murphy

3. Ceramic bowl by Daniel Bare

4. Paper wall art by Paperform

5. Lip balm by Hello Soap

6. Weaving on woodblock by Twenty Two West

7. Mixed media assemblage by Jon Andrews

8. Wood block paintings by Sunny Mullarkey Studio

9. Brass stud earrings & ring by Melting Sun Apparel

10. Print by Elizabeth Foster

11. Painted wood sign by Olive + Grey

12. Handbag by Hawks & Doves

A Week at The Folk School

Learning a new craft is irresistible to me. I suppose that’s how I wound up with such a long list of interests, and an even longer list of things I want to learn in the future (which ranges from loom weaving to learning to ride a unicycle). Earlier this month, I did something way out of my comfort zone, and took time off to learn something I knew nothing about. It wasn’t really a vacation, more like an intense work week that left my hands stained and sore, but I’m so glad I didn’t talk myself out of it. I had a pile of reasons to cancel my art camp plans, but the part about “it might be really cool” was what got my butt to Brasstown, NC.

I chose to take a jewelry metalworking course at the John C. Campbell Folk School, a place full of history, simplicity, music from another era, misty mornings, and practically no cell reception. This is the kind of place where you can learn blacksmithing one week, and traditional basket making the next. During the week of my attendance, there were about a dozen other classes occurring simultaneously. My time was spent in an area called “Studio Row” in a building dedicated to jewelry & metals. I’m still blown away by everything I learned in such a short time, but now I feel pressure (the good kind) to continue to take classes whenever I can, because I have an awful lot of things to learn, and an uncertain number of years left to learn them.

I’m already comfortable designing and making jewelry, it’s part of how I earn a living, but working with metal was 100% new to me, so it was a humbling experience to start from scratch, not knowing what would work and what wouldn’t. The instructor, Cindy Moore of www.cooltoolchick.com was extremely knowledgeable and patient, and I couldn’t have asked for a better introduction to the medium.

In just a few day’s time, my class of 8 got to try out embossing metals on the rolling mill, torch enameling, forging, soldering, the hydraulic press, cold connections (like rivets), plus cleaning & finishing techniques. We were permitted to focus on our own projects after general instruction, so I was able to skip things like wire working and making beads out of old coins in exchange for more time with the torch annealing and shaping copper, or experimenting with texturing enamel (my personal favorites, out of everything we learned). The curriculum was fairly open, which was perfect since everyone had different interests. I was thrilled to have the option for additional studio time in the evenings after dinner, which always went by way too quickly. That’s how you know you’re having fun - when having to eat or sleep becomes a major bummer because you don’t want to stop working!!

All in all, I made 32 pieces of jewelry. Some aren’t very good. Some I’m extremely attached to, and would love to add to my jewelry line in the future. I’m already making plans to invest in some of the equipment so I can continue material explorations in my own studio with my new found love of metals. I will always work in leather, wood, and wool, but I think metal is the missing element in my work, and I’m thankful to have had the chance to dabble in it just long enough to know I need to dabble more soon.

Behind the Scenes: Artisphere 2015

Greenville, SC is home to one of the top ranked fine art festivals in the nation, drawing a crowd of over 75,000 people every year. This event showcases top notch art, craftsman demonstrations, and a wide range of performances. Artisphere is a big deal all around. To be a part of it as an artist...well, that’s a HUGE deal.

Nearly 1000 artists applied for 121 spots this year, so it was an honor to be selected. Being my first time exhibiting at Artisphere, I was certain it would be a great opportunity, if only for the exposure, but I truly underestimated things. It was a record breaking show as far as sales go, and to top that off, I won the People’s Choice Award. Thanks again to everyone who voted for me!

Preparing for Artisphere took months of hard work, and by the first week of May, I had more inventory than ever before. Although I’d originally applied for both jewelry and fiber art, I was only accepted for jewelry this time, but it ended up being a good thing. Focusing on jewelry alone stretched me to learn new techniques and expand my collection. I was also secretly glad to get a break from felting - it’s one of those things that’s enjoyable to do, but for the prices I’m able to charge vs. time involved, it’s barely worthwhile. Felting is fun for me, but bad for business.

As with every show, there’s highs and lows. This time, there were extremes of both.

High: winning the People’s Choice Award. It was an unexpected surprise, and we’ll be using the prize money for a nice weekend away for our 10th anniversary in June. I can’t remember the last time I had a day off and I’m really looking forward to it!

Low: pulling up Friday morning and realizing I forgot to rent a tent. I’m an over planner, an over packer, and generally lose sleep over the possibility of forgetting things, so to discover I omitted something pretty darn important, just hours before the festival opened, was a humbling & stressful experience that left me with a 14 hour migraine. Special thanks to the rental place that raced over within the hour and set up a tent, and to Carrie Braun, one of the organizers, for keeping me from bursting into an ugly cry.

As with past shows, I geeked out on stats. Here’s a breakdown of the successful weekend in numbers:

Curious what happens behind the scenes, before the festival officially begins? It goes something like this...

Being a part of a show like Artisphere is an incredible opportunity to meet customers in person and earn a nice lump sum paycheck, but it's also a chance to invest in some pretty amazing original art. At every show we participate in, we allow ourselves to spend up to 10% of sales supporting other artists. It's easy to do, there's so much talent out there! Whether we're from different states or the same town, we're all a part of this creative community. I want to contribute to this very special economy, not just profit from it. If I'm going to be posting #buyhandmade or #shoplocal, I need to put my money where my mouth is, especially in my own community. But really, all of that aside, it's a total delight to buy original art right from the source. I know I'll treasure each and every one of these pieces, not just because they're beautiful, but because I met the person who created it. 

Full list of artists below:

1. Tiny vase by Tara Underwood http://www.taraunderwoodpottery.com/

2. Original painting by Janina Tukarski Ellis http://www.janinaellis.com/

3. “Joyce” Sculpted donkey head by Julie Kradel http://www.fatponystudios.com/

4. Pair of green pots by John Herbon http://johnherbonpottery.com/ 

5. Fox & Rabbit reproduction on canvas by Phillip Singer www.psingerart.com

6. Bunny tile by Julie Kradel http://www.fatponystudios.com/

7. Original painting by Joseph Bradley http://josephbradleystudio.com/

8. Bowl by Amelia Stamps www.ameliastamps.com

9. 2 Mixed media pieces by Michelle Prahler www.planetprahler.com

10. Original woodblock print "Night on the Island" by Kent Ambler www.kentambler.net

11. Sterling silver necklace by Leandra Hill http://www.leandrahillmetalworks.com/

12. Original woodblock print "Psalm 108" by Kreg Yingst www.kregyingst.com